Prior to this particular project, an extensive study was carried out along Balestier Road as a studio group.Sites for future development or redevelopment were identified. Students proceeded to choose one site to develop a theatre program based on Indian Dance or Chinese Theatre.
Originating from South India, Bharata Natyam is more angular, symmetrical and mathematical in its approach. Danced to carnatic music, Bharata Natyam has a more Appolonian approach. Its form is predictable, precise and organised.
To the dancer, Bharata Natyam dance requires meticulous preparation (Prologue) and prior meditation (Ascension) is necessary to achieve a trance state to allow the Gods to possess their limbs and perform(Climax).
Its appreciation requires prior knowledge (Ascension) of the spiritual, cultural and mythical heritage surrounding it and an understanding of the movements that usually performed by the dancer to convey epics of Gods and Goddesses.
Design Intent
In its front, the urban & dense traffic of Balestier Road, to the back, the serene Balestier hill rises. The idea is to transit people from the mundane pedestrian level to that of a higher meditative level through spaces of contemplation, to be in the mood to appreciate this art form. A screening strategy is adopted to the mediate between the busy & noisy street and the serene interior.
The Prologue
Emotions arise since you, as the audience, approaches the ticketing office to buy the tickets for the events. Whereas in the performer, it builds up from the very first day he sets up the play.
The Ascension
Transition from the hustle bustle of Balestier Rd into a serene journey for the spirit and the soul. The visitor bathes in a series of activities and spaces for contemplation.
The Climax
The theatre, stage & audience is the climax of these emotions. The dance is the offering made to the gods. Emotions are shared…
Submitted for RIBA Part 1.
Tutor: Mizanur Rashid
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